Poems / May 23, 2024

Pantoum after Today’s Mass Shooting

Carlos Andrés Gómez

Papi, when I die, will you be alive?
our four-year-old asks between bites of beans.
All day I’ve fled my body—now, arrive:
throat quaked raw. The same familiar scene.

Our four-year-old asks between bites of beans,
Is candy from space? How big is sadness?
Throat quaked raw, the same familiar scene:
legislation now metonym for madness.

Is candy from space? How big is sadness?
How many lives, I wonder, are worth
legislation? Now: metonym for madness
like my clutched gut moments after his birth.

How many lives? I wonder. Our worth?
I guard my loves with hope I don’t believe,
like my clutched gut moments after his birth
made a minefield. I weigh the odds. I breathe.

I guard my loves (with hope I don’t believe
like God). I surrender my son to this world
made a minefield. I weigh the odds. I breathe
as if it can protect him, his lips curled.

Like God, I surrender my son to this world
for mercy. After Uvalde, we pray
as if it can protect him, his lips curled,
I barter with karma. Use faith to pay

for mercy. After Uvalde, we prey
on loophole, Bible verse, worst self, & fear.
I barter. With karma, use faith to pay 
for more time, as though The End is Near

on loop. Whole Bible vs. worst self & fear,
some dads buy a gun, like a prayer reprieve
for more. Time, as though the end is near:
the hours offer little space to grieve.

Some dads buy a gun like a prayer reprieve.
All day I’ve fled my body—now arrive:
the hours offer little space to grieve.
Papi, when I die, will you be alive?

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Carlos Andrés Gómez is a Colombian American poet from New York City. He is the author of the poetry collection Fractures (University of Wisconsin Press, 2020), selected by Natasha Trethewey as the winner of the 2020 Felix Pollak Prize, and the memoir Man Up: Reimagining Modern Manhood (Penguin Random House, 2012). Winner of the Foreword INDIES Gold Medal and the International Book Award, Gómez has been published in New England ReviewThe Yale ReviewPoetry Unbound: 50 Poems to Open Your World (W.W. Norton & Co., 2022), and elsewhere. Carlos is a graduate of the University of Pennsylvania and the MFA Program for Writers at Warren Wilson College.

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