An Unpublished Poem by Paul Newman

An Unpublished Poem by Paul Newman

Previously uncovered words from the eminent late actor, director, and philanthropist.

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In 1995, The Nation was bought by a group of investors, including E.L. Doctorow, Victor Navasky, and my father, Paul Newman. A longtime reader of the magazine and sometime contributor, he understood the responsibility of having a public voice and chose his words carefully.

He was always embarking on unfinishable grand projects, immersing himself in research, locking himself in his office for weeks on end, lured away only by the siren call of a race car. As he said in an interview with his friend the writer Stewart Stern, “It takes me three days to write a poem, it takes me three days to write four little columns in The New York Times…. How could I write eight hundred pages?” I heartily supported his forays into shorter forms of expression.

To the end of his life he remained, as noted in The Nation’s obituary in 2008, “dedicated to civil rights, women’s rights and gay rights, committed to ending the nuclear arms race and determined to elect opponents of war and militarism.” He was practical in his allegiances, however, and was not averse to aligning with Republicans on occasion.

This poem was given to me by my sister Nell, who found it stashed away in my parents’ house. Uncharacteristically serious, it was scrawled and reworked on the back of a schedule of doctors’ appointments after my father’s diagnosis with lung cancer in 2007. I kept it tucked in a drawer for many years, unsure of his intention. Now seems like the right time to set it free, and as a longtime reader, The Nation the perfect perch.

—Melissa Newman

Ed Doctorow arranged a dinner with Paul Newman. Paul brought Joanne Woodward with him—and at the time I was a little disappointed, because it had been my fundraising experience that when the wife was present, her role was to put the kibosh on any substantial investment. At the appropriate moment, Paul asked me how much money I was looking for. When I replied, “One million dollars,” he looked at me and said, “That’s very rich.” At which point, Joanne interjected, “So are you, dear.” He invested, we became friends—and I became a lifelong fan.

—Victor Navasky

Half Lung

Half my lung,
Removed by knife,
Is tightly packed in plastic now
Along with other waste
Then dumped somewhere on Staten Island
Or Jersey.

I had other plans for it of course.
The lung.
A state funeral along with the rest of me
Honoring a life of plunder well-spent.

Malignancy’s a funny thing though
And it had other plans.
I’m fearful
It was payback
For Silence.

Who needs a full lung
For a mouth clamped shut in fear
By politics no less.

I can remember, I think I can
When I was on the stump
On the shout full voice full fury
Pissing way above my rank—
Good Lord the arc of it—
On Them, their Crowns their Hair
Dripped yellow in their eyes. Yup.
Used to.

I throw a blanket of silence now
Over things I’ve built.

Paul Newman

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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