Poems / August 22, 2023

[Polaroid of]

Katie Jean Shinkle

I’m shoving blueberries
into my bloodstream
smoking strawberries
out of a broken lightbulb
snorting raspberries
up my nose
I’m smoking blackberries
rolled with tobacco
in a nightmare rotation
of every person
who has broken my heart
I am flicking the outside of the bag
of lingonberries
with my fingertips
wetting for a taste of cran
waiting around all day
for my plug to come through
with ounces of boysen
grams of huckle and black currant
don’t lecture me about pesticides
or how to handle delicacies
tell me instead how to satiate
how to find my way back

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Katie Jean Shinkle

More from The Nation

Is It Possible to Suspend Disbelief at Ayad Akhtar’s AI  Play?

Is It Possible to Suspend Disbelief at Ayad Akhtar’s AI  Play? Is It Possible to Suspend Disbelief at Ayad Akhtar’s AI  Play?

The Robert Downey Jr.–starring McNeal, which was possibly cowritten with the help of AI, is a showcase for the new technology’s mediocrity.

Books & the Arts / Rhoda Feng

Possibility, Force, and BDSM: A Conversation With Chris Kraus and Anna Poletti

Possibility, Force, and BDSM: A Conversation With Chris Kraus and Anna Poletti Possibility, Force, and BDSM: A Conversation With Chris Kraus and Anna Poletti

The two writers discuss the challenges of writing about sex, loneliness, and the new ways novels can tackle BDSM.

Books & the Arts / Chris Kraus

Lore Segal’s Stubborn Optimism

Lore Segal’s Stubborn Optimism Lore Segal’s Stubborn Optimism

In her life and work, she moved through the world with a disarming blend of youthful curiosity and daring intelligence.

Books & the Arts / Michele Moses

The Sheer Gusto of Jane DeLynn

The Sheer Gusto of Jane DeLynn The Sheer Gusto of Jane DeLynn

1982’s In Thrall was a magnificent piece of queer fiction, at once comic and courageous.

Books & the Arts / Colm Tóibín

“Anora,” an American Fantasia

“Anora,” an American Fantasia “Anora,” an American Fantasia

In Sean Baker's tragicomic film of a sex worker’s brush with wealth, he evokes auteurs of yore, who focused on the social realities of the country's outcasts.

Books & the Arts / Beatrice Loayza

Looking at Art Will Never Be the Same Again

Looking at Art Will Never Be the Same Again Looking at Art Will Never Be the Same Again

A conversation with the art historian Claire Bishop about technology's influence on museums and galleries, and her recent book Disordered Attention.

Books & the Arts / Francesca Billington