Provenance

Provenance

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There she was
in that lavender dress,
in that room,
in that apartment,
turning around
to answer
his fist
pounding that door
in the middle of that day
that must’ve been a day
in August,
the start of that season
when all around them,
all that could be
changed by violence
and violently changed,
the hills and the valley,
the canyons and the cliffs
tongue-kissed
by the Santa Ana,
burst into bright
seams of silver smoke,
and though it was
unclear how he burst
through that door,
why her dress fell
to that floor
like that flame and flash
lashing the bed-
straw and the sunflowers
until the flowers bent
their heads from the sun,
or what they saw
in each other
—who was whose
horse, rider, ride, reins, neck
pulled, pulling, arching, arched
back like the curves
of that wildfire’s hips,
that scorched hour
grinding into
the next, there,
in that room,
in that apartment—
my mother and father
became my mother and father
and, the next spring,
for the first time,
brought me home
through that entryway
that was neither
a way in nor a way out
of that violence,
that pounding,
that answer,
that turning around
to discover,
so clearly,
all that
would not change.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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