Poems / May 9, 2024

To a Blossoming Saguaro

Eduardo C. Corral

You have kin in Mexico.
Shooting you is called “cactus plugging.”
Humidity & wind speed shape the path of a bullet.
Your shadow will outlive my father.
That’s kind of comforting.
Ghost-faced bats pollinate your dog-eared flowers
which smell like wet rope, melon.
The sky is a century with no windows.
I say things like that. Sorry.
You have more rights than the undocumented:
I need a permit to uproot you.
Ofelia believes only rain can touch all of you.
My mother is my favorite immigrant.
After her? The sonnet.

(This poem originally appeared in You Are Here: Poetry in the Natural World.)

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

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Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Eduardo C. Corral is the son of Mexican immigrants. He’s the author of Guillotine, published by Graywolf Press, and Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. He’s the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writers’ Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University.

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