Fighting for Liberation in Tahrir Square Fighting for Liberation in Tahrir Square
Protesters in Egypt all agree on one thing: Mubarak must go.
Feb 10, 2011 / Anand Gopal
Noted. Noted.
John Nichols on the AOL/Huffington Post merger, Ari Berman on the Democratic Leadership Council's demise and Riddhi Shah on invisible government benefits
Feb 10, 2011 / Various Contributors
Discomfited by Democracy Discomfited by Democracy
The uprising in Egypt is a rare opportunity to support democracy without imperialism. Will Obama take the chance?
Feb 10, 2011 / Chris Hayes
The ‘Hero’ of the War on Terror The ‘Hero’ of the War on Terror
Congressman Peter King's dark fantasies about American Muslims are intruding on reality.
Feb 10, 2011 / Michelle Goldberg
Dishonoring Reagan Dishonoring Reagan
The former president set in motion a sizable slice of the fantasies destroying America.
Feb 10, 2011 / Books & the Arts / Alexander Cockburn
It Takes a Village, Not a Tiger It Takes a Village, Not a Tiger
Whether you're a tiger mother, a soccer mom, a helicopter parent or something else, if you're not in poverty, then your kids will probably end up okay.
Feb 10, 2011 / Column / Katha Pollitt
Sports and Empowerment Sports and Empowerment
In an all-star panel moderated by Dave Zirin, Michael Eric Dyson, Kevin Blackistone and Bobby Mitchell explore the positive role sports has played for the African American communit...
Feb 10, 2011 / Press Room
The Dying Swan: On Jennifer Homans The Dying Swan: On Jennifer Homans
Jennifer Homans thinks ballet is dying, its masters dead and gone. But ballet, which exists in time and leaves no record, is always dying.
Feb 10, 2011 / Books & the Arts / Marina Harss
Crooked Sticks: On Utopianism Crooked Sticks: On Utopianism
At the utopian community of Fruitlands, vegetables were not only eaten. They were also imitated.
Feb 10, 2011 / Books & the Arts / Brenda Wineapple
Amazement in Reverse: On Martin Creed and Gabriel Orozco Amazement in Reverse: On Martin Creed and Gabriel Orozco
Martin Creed and Gabriel Orozco reduce the artistic gesture to the smallest effective intervention into reality.
Feb 10, 2011 / Books & the Arts / Barry Schwabsky