Articles

‘For the Monkey’ ‘For the Monkey’

When James Agee wrote in these pages sixty years ago, he often complained of the paltriness of this or that movie, as judged against the events of the day.

Mar 20, 2003 / Books & the Arts / Stuart Klawans

Reading Leonardo Reading Leonardo

In 1906, the French savant Pierre Duhem published a three-volume work on Leonardo as scientist under the innocuous title Études sur Leonard de Vinci. It was the work's s...

Mar 20, 2003 / Books & the Arts / Arthur C. Danto

Against the Genetic Grain Against the Genetic Grain

I first heard of Jon Beckwith in the mid-1970s, in a question framed by my genetics professor: Why would anyone willfully disrupt a research program designed to collect useful ...

Mar 20, 2003 / Books & the Arts / Jonathan Marks

Germline Warfare Germline Warfare

A most remarkable event occurred in the weeks preceding the June 2000 announcement of the completion of the first draft of the human genome DNA code: One of the leaders of the ...

Mar 20, 2003 / Books & the Arts / Ralph Brave

Seeking a New Globalism in Chiapas Seeking a New Globalism in Chiapas

Opponents of the neoliberal model are demanding a new social contract.

Mar 20, 2003 / Feature / Tom Hayden

‘The Inland Empire’ ‘The Inland Empire’

It lacks beaches, but it does have the most mixed neighborhoods in California.

Mar 20, 2003 / Feature / Mike Davis

These United States These United States

John Leonard edited and wrote the introduction to These United States: Portraits of America (Nation Books).

Mar 20, 2003 / Feature / John Leonard

Inside Baghdad Inside Baghdad

Iraqis, exhausted by years of sanctions and oppression, just want it all to end.

Mar 20, 2003 / Feature / Jeremy Scahill

Perle, Interrupted Perle, Interrupted

Famed Prince of Darkness Richard Perle is a political animal unique to Washington.

Mar 20, 2003 / Column / Eric Alterman

War. What Is It Good For? War. What Is It Good For?

By the time you read this, the invasion of Iraq may have begun--or it may be over.

Mar 20, 2003 / Column / Katha Pollitt

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