On Movies, Money & Politics On Movies, Money & Politics
The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
Mar 18, 1999 / Books & the Arts / Peter Biskind
American Graffiti American Graffiti
It's true--and a cliché--that Hollywood films hold up a mirror to American society. It's equally true--and equally a cliché--that Hollywood films fail to reflect Am...
Mar 18, 1999 / Books & the Arts / Susie Linfield
Red Fox? Red Fox?
The contracts are signed, the treatment is being written and Fox Television plans to fast-track production on a ten- to twelve-hour miniseries based on lefty historian Howard Zin...
Mar 18, 1999 / Books & the Arts / Tom Gogola
Shud He Have Been a Contendah? Shud He Have Been a Contendah?
The inevitable controversy--presenting name-naming film director Elia Kazan with a Lifetime Achievement Award--has unfolded like an accident waiting to happen, aggravating the A...
Mar 18, 1999 / Books & the Arts / Cliff Rothman
Postcards From the Left Postcards From the Left
As the limos and their glitterati cargo pull up to the Oscars ceremony this year, they may have to share a bit of screen time with a band of angry picketers.
Mar 18, 1999 / Books & the Arts / Marc Cooper
A Nike Sneak A Nike Sneak
On January 11 Joseph Ha, a Nike vice president, sent what he thought was a confidential letter to Cu Thi Hau, Vietnam's highest-ranking labor official.
Mar 18, 1999 / Eyal Press
The Forgotten Oscar The Forgotten Oscar
In the run-up to Sunday's Oscar ceremony the focus was on Elia Kazan and whether the Motion Picture Academy was doing the right thing by honoring him with a Lifetime Achievement ...
Mar 18, 1999 / Books & the Arts / Victor Navasky
Carried Away Carried Away
My friend Dennis Paoli says there are two kinds of horror movies, and since his screenwriting credits include Re-Animator, I treat his categories with respect.
Mar 18, 1999 / Books & the Arts / Stuart Klawans
When Worlds Collide When Worlds Collide
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
Mar 18, 1999 / Books & the Arts / Peter Biskind