Assassination Nation
The Nation magazine was founded in the startled wake of Abraham Lincoln’s murder—the first presidential assassination in the country. It wouldn’t be the last.
When the first issue of The Nation rolled off the presses in 1865, Abraham Lincoln’s body had been laid in the ground only weeks earlier. For years, the country remained in the grim shadow cast by the president’s assassination. And then it happened again—and again.
In 1881, James Garfield became the second president to be killed in office, shot by a jilted job-seeker who ambushed him at a Washington train station. The Nation noted an important contrast: Whereas the bullet fired at Lincoln’s head was “the last shot of the civil war,” coming as “men’s pulses were still throbbing with the hates and fears and hopes and sorrows of the struggle through which the country had just passed,” Garfield’s senseless slaying in a time of peace brought only “sympathy and sorrow,” with “no taste of bitterness or discord.” Indeed, as the attack was deplored by all parties and politicians, it “brought about a better understanding between the North and the South.” The universal condemnation proved, The Nation suggested, that there was no constituency for undermining the American form of government.
Four decades later, in 1912, a former saloonkeeper shot Theodore Roosevelt at a campaign rally in Milwaukee. The ex-president, who had ascended to the office when William McKinley was assassinated by an anarchist in 1901, was running for a third term on the Progressive Party ticket. The wounded Roosevelt drew accolades even from political foes for intervening in the chaotic moments after the shooting to prevent his assailant from being lynched; then, with the bullet lodged in his chest, he calmly finished his speech.
“There can be but one feeling in regard to the attempt to assassinate Mr. Roosevelt—a feeling of deep joy that he escaped with apparently slight injury,” The Nation reflected in its next issue. “Americans have reason to congratulate each other that their country has been spared another causeless murder of a public man…. We all felt a sort of patriotic humiliation when Garfield and McKinley were shot, and it is a profound satisfaction not to have to go through that again.” The editors—no fans of Roosevelt—praised his “characteristic coolness and pluck in danger” but took issue with those who argued “that the way to prevent such shocking and lamentable crimes is to forbid severe criticism of public men.”
“Free discussion is the very breath of our political life,” the editors wrote. “It is obvious that we cannot order or alter our whole plan of government by public discussion, merely because cranks and lunatics can get hold of deadly weapons and commit crimes that startle the world.”
We cannot back down
We now confront a second Trump presidency.
There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.
Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.
Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.
The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
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Onwards,
Katrina vanden Heuvel
Editorial Director and Publisher, The Nation