Alana Pockros

Engagement Editor

@Apockros

is The Nation’s engagement editor. She is a contributing editor at Cleveland Review of Books and has written for The New York TimesThe Baffler, The Paris Review, and elsewhere.

Lauren Oyler and the Critic in the Internet Age

Lauren Oyler and the Critic in the Internet Age Lauren Oyler and the Critic in the Internet Age

In No Judgment, the novelist and critic explores the perilous activity of literary criticism in the era of social media.

Apr 10, 2024 / Books & the Arts / Alana Pockros

A woman on a couch at a therapist's office, 1949.

What’s Life Like for the Child of a Psychoanalyst? What’s Life Like for the Child of a Psychoanalyst?

Alice Wexler’s The Analyst explores the complicated life of her father, Milton Wexler, whose work courted controversy in the public and within in his family

Apr 24, 2023 / Books & the Arts / Alana Pockros

Nell Zink’s California

Nell Zink’s California Nell Zink’s California

There is Hollywood, there are lights, but only the rich are allowed to enjoy them.

Dec 13, 2022 / Books & the Arts / Alana Pockros

The 1990s Were Meant to Be the End of History—Instead They Birthed the Future

The 1990s Were Meant to Be the End of History—Instead They Birthed the Future The 1990s Were Meant to Be the End of History—Instead They Birthed the Future

Welcome to The Nation’s '90s issue, a heady romp through the decade that set the stage for the present moment.

Dec 12, 2022 / Lizzy Ratner, Regina Mahone, Ludwig Hurtado, and Alana Pockros

What the Year 2000 Wrought

What the Year 2000 Wrought What the Year 2000 Wrought

A conversation with Andrew Rice about his book The Year That Broke America, the chaotic politics of the aughts, and how that decade’s eccentric characters defined American life.&nb...

Apr 26, 2022 / Books & the Arts / Alana Pockros

Howardena Pindell’s Decades-Long Fight to Integrate the Art World

Howardena Pindell’s Decades-Long Fight to Integrate the Art World Howardena Pindell’s Decades-Long Fight to Integrate the Art World

There’s been a surge of interest in the 78-year-old artist’s work, but art institutions remain overwhelmingly white and male.

Mar 15, 2022 / Alana Pockros

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