When Downtown Was Up When Downtown Was Up
A new exhibition on New York’s artist-run galleries reminds us of a vibrant but now distant past.
Mar 16, 2017 / Books & the Arts / Barry Schwabsky
Picabia’s Monsters Picabia’s Monsters
Even at his most iconoclastic, the French avant-gardist sought to paint life.
Feb 23, 2017 / Books & the Arts / Barry Schwabsky
Kerry James Marshall’s Enigmatic Authority Kerry James Marshall’s Enigmatic Authority
It seems a mistake to call him a realist in any but the loosest sense.
Jan 18, 2017 / Books & the Arts / Barry Schwabsky
Ellen Cantor’s Perpetual Revisions Ellen Cantor’s Perpetual Revisions
The artist’s final film tested her belief that love could be stronger than the will to power.
Dec 20, 2016 / Books & the Arts / Barry Schwabsky
The Brilliance of Lines The Brilliance of Lines
Agnes Martin at the Guggenheim and Carmen Herrera at the Whitney.
Oct 26, 2016 / Books & the Arts / Barry Schwabsky
Seeing David Hammons Seeing David Hammons
Given that the artist is such a spectral presence, how can his multifarious oeuvre be summed up in a single retrospective survey?
Sep 21, 2016 / Books & the Arts / Barry Schwabsky
Thomas Struth’s Post-Internet Art Thomas Struth’s Post-Internet Art
His pictures generate a perceptual confusion that might best represent where we stand with technology today.
Aug 23, 2016 / Books & the Arts / Barry Schwabsky
Nicole Eisenman’s Path to Genius Nicole Eisenman’s Path to Genius
In the early 2000s, the painter rediscovered a strain of modernism that doesn’t aspire to purity or certainty, but rather is willing to remain, as de Kooning once put it, “wrapped ...
Jul 14, 2016 / Books & the Arts / Barry Schwabsky
The Chameleon Painter The Chameleon Painter
Even in his most pared-down paintings, Philip Guston was digging for something new.
Jun 1, 2016 / Books & the Arts / Barry Schwabsky
Letters From the June 6-13, 2016, Issue Letters From the June 6-13, 2016, Issue
The article, unfinished…
May 19, 2016 / Our Readers and Barry Schwabsky