Books & the Arts

A Report From Occupied Territory

A Report From Occupied Territory A Report From Occupied Territory

The law is meant to be my servant and not my master, still less my torturer and my murderer.

Mar 23, 2015 / Books & the Arts / James Baldwin and Carrie Mae Weems

2005–2015: This All Seems Eerily Familiar

2005–2015: This All Seems Eerily Familiar 2005–2015: This All Seems Eerily Familiar

Nation writers on disaster capitalism, Blackwater, Obama, the financial bailout, austerity, Occupy Wall Street, Trayvon Martin and Charlie Hebdo.

Mar 23, 2015 / Books & the Arts / The Nation

Michael Moore for President

Michael Moore for President Michael Moore for President

If nominated, I will run. If elected, I will serve.

Mar 23, 2015 / Books & the Arts / Michael Moore

It’s Not Too Late: Save Democracy By Amending the Constitution

It’s Not Too Late: Save Democracy By Amending the Constitution It’s Not Too Late: Save Democracy By Amending the Constitution

Corporations are not people, money is not speech, and votes must matter more than billionaires’ dollars.

Mar 23, 2015 / Books & the Arts / John Nichols

1965–1975: How To Tell The Rebels Have Won

1965–1975: How To Tell The Rebels Have Won 1965–1975: How To Tell The Rebels Have Won

Vietnam is a unique case—culturally, historically and politically. I hope that the United States will not repeat its Vietnam blunders elsewhere.

Mar 23, 2015 / Books & the Arts / The Nation

Present Present

December 28, 1964 The stranded gulch            below Grand Central the gentle purr of cab tires in snow and hidden stars           tears on the windshield torn inexorably away in whining motion and the dark thoughts which surround neon in Union Square I see you for a moment red green yellow searchlights cutting through falling flakes, head bent to the wind wet and frowning, melancholy, trying I know perfectly well where you walk to and that we’ll meet in even greater darkness later and will be warm              so our cross of paths will not be just muddy footprints in the morning          not like celestial bodies’ yearly passes, nothing pushes us away from each other          even now I can lean forward across the square and see your surprised grey look become greener as I wipe the city’s moisture from your face       and you shake the snow off onto my shoulder, light as a breath where the quarrels and vices of estranged companions weighed so bitterly and accidentally          before, I saw you on the floor of my life walking slowly that time in summer rain stranger and nearer     to become a way of feeling that is not painful casual or diffuse and seems to explore some peculiar insight of the heavens for its favorite bodies in the mixed-up air This article is part of The Nation’s 150th Anniversary Special Issue. Download a free PDF of the issue, with articles by James Baldwin, Barbara Ehrenreich, Toni Morrison, Howard Zinn and many more, here. This poem by Frank O’Hara (1926–1966) was published the same year his collection Lunch Poems brought him to fame.  

Mar 23, 2015 / Books & the Arts / Frank O’Hara

Some Disturbingly Relevant Legacies of Anticommunism

Some Disturbingly Relevant Legacies of Anticommunism Some Disturbingly Relevant Legacies of Anticommunism

The impact of Cold War anticommunism on our national life has been so profound that we no longer recognize how much we’ve lost.

Mar 23, 2015 / Books & the Arts / Victor Navasky

The Radical Future of Film

The Radical Future of Film The Radical Future of Film

A more convivial, expansive and life-affirming future is with us now—and the movies can help take us there.

Mar 23, 2015 / Books & the Arts / Stuart Klawans

Is America Possible Without Empire?

Is America Possible Without Empire? Is America Possible Without Empire?

Rather than sizzle or suffocate, let us get on with imagining a new America.

Mar 23, 2015 / Books & the Arts / William Appleman Williams and Greg Grandin

Two Views of a Cadaver Room Two Views of a Cadaver Room

January 30, 1960                I The day she visited the dissecting room They had four men laid out, black as burnt turkey, Already half unstrung. A vinegary fume Of the death vats clung to them; The white-smocked boys started working. The head of his cadaver had caved in, And she could scarcely make out anything In that rubble of skull plates and old leather. A sallow piece of string held it together. In their jars the snail-nosed babies moon and glow. He hands her the cut-out heart like a cracked heirloom.                II In Brueghel’s panorama of smoke and slaughter Two people only are blind to the carrion army: He, afloat in the sea of her blue satin Skirts, sings in the direction Of her bare shoulder, while she bends, Fingering a leaflet of music, over him, Both of them deaf to the fiddle in the hands Of the death’s-head shadowing their song. These Flemish lovers flourish; not for long. Yet desolation, stalled in paint, spares the little country Foolish, delicate, in the lower right hand corner. This article is part of The Nation’s 150th Anniversary Special Issue. Download a free PDF of the issue, with articles by James Baldwin, Barbara Ehrenreich, Toni Morrison, Howard Zinn and many more, here. Sylvia Plath (1932–1963) published four poems in The Nation between 1955 and 1960. 

Mar 23, 2015 / Books & the Arts / Sylvia Plath

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