Roberts’s Rules of Order Roberts’s Rules of Order
Marcia Coyle’s damning study of the Roberts Court’s conservative agenda.
Jun 18, 2013 / Books & the Arts / Michael O’Donnell
‘We Steal Secrets’ Misses the Leak for the Leakers ‘We Steal Secrets’ Misses the Leak for the Leakers
Just as the Assange saga consumes too much of Alex Gibney’s film, so today’s Snowden obsession deflects attention away from our sprawling surveillance state.
Jun 17, 2013 / Books & the Arts / Peter Maass
The Many Faces of Mark Boal The Many Faces of Mark Boal
How did a journalist whose career was devoted to exposing injustice end up writing a film like Zero Dark Thirty?
Jun 14, 2013 / Books & the Arts / Jordan Michael Smith
Joss Whedon and the Pop Culture Canon Joss Whedon and the Pop Culture Canon
Much Ado About Nothing is great! Does it matter that its appeal depends on being a Whedon nerd?
Jun 14, 2013 / Books & the Arts / Michelle Dean
The Disillusionment of ‘Before Midnight’ The Disillusionment of ‘Before Midnight’
Linklater’s latest installment in his trilogy of GenX romance shows that hope isn’t all it’s cracked up to be.
Jun 7, 2013 / Books & the Arts / Michelle Dean
Rage and Ruin: On the Black Panthers Rage and Ruin: On the Black Panthers
A new history of the party is too close to its subject, and misses the human drama.
Jun 5, 2013 / Books & the Arts / Steve Wasserman
Transient States: On Mary Cassatt Transient States: On Mary Cassatt
In her printmaking the artist searched for a constantly elusive vision.
Jun 5, 2013 / Books & the Arts / Barry Schwabsky
Dirtying White Dirtying White
Why does Benn Steil’s history of Bretton Woods distort the ideas of Harry Dexter White?
Jun 5, 2013 / Books & the Arts / James M. Boughton
White Wigs, Black Masks: On Surveillance Pop White Wigs, Black Masks: On Surveillance Pop
The cameras no longer look at us because we’re famous; we’re famous because they look at us to death.
Jun 5, 2013 / Books & the Arts / Joshua Clover
The Anarchy Project The Anarchy Project
David Graeber’s account of Occupy Wall Street is essential—and somewhat maddening in its insistence on heightening the differences between anarchists and liberals.
May 31, 2013 / Books & the Arts / Danny Goldberg