Hollywood Ending? Hollywood Ending?
Steven Soderbergh’s Side Effects; Lynne Sach’s Your Day Is My Night
Feb 19, 2013 / Books & the Arts / Stuart Klawans
You Are What You Click: On Microtargeting You Are What You Click: On Microtargeting
Why privacy and anonymity are being violated online by an unstoppable process of data profiling.
Feb 13, 2013 / Books & the Arts / David Auerbach
In Our Orbit: My Lai Rules In Our Orbit: My Lai Rules
Nick Turse’s Kill Anything That Moves: The Real American War in Vietnam.
Feb 13, 2013 / Books & the Arts / Richard Kreitner
Stalker Stalker
For the novelist James Lasdun, being stalked online is like “swallowing a cup of poison every morning.”
Feb 13, 2013 / Books & the Arts / Caleb Crain
Shelf Life Shelf Life
Robert Bresson’s The Devil, Probably; Maurice Pilat’s Police; Leo McCary’s My Son John.
Feb 13, 2013 / Books & the Arts / Akiva Gottlieb
Nick Turse: The United States Hasn’t Owned up to Vietnam War Crimes Nick Turse: The United States Hasn’t Owned up to Vietnam War Crimes
The author recounts his long, difficult struggle to expose the truth about atrocities.
Feb 11, 2013 / Books & the Arts / Press Room
Nothing New Under the Wingnut Sun: ‘Textbook Wars’ Nothing New Under the Wingnut Sun: ‘Textbook Wars’
When conservatives challenge curricula like they did last week in Fairfax County, Virginia, they reveal fundamental tensions in liberal education that aren’t going away.
Feb 11, 2013 / Books & the Arts / Rick Perlstein
Torture and Taboo: On Elaine Scarry Torture and Taboo: On Elaine Scarry
How the work of a literary critic became the proxy for our preoccupation with the horrors of torture.
Feb 5, 2013 / Books & the Arts / Samuel Moyn
Making Strange: On Victor Shklovsky Making Strange: On Victor Shklovsky
A Russian novelist’s fight, in life and art, to see the world afresh in all its cruelty and splendor.
Feb 5, 2013 / Books & the Arts / Ben Ehrenreich
Shelf Life Shelf Life
Amos Oz and Fania Oz-Salzberger’s Jews and Words.
Feb 5, 2013 / Books & the Arts / Laura Brahm