Books & the Arts

Human Rights in History

Human Rights in History Human Rights in History

Human rights emerged not in the 1940s but the 1970s, and on the ruins of prior dreams.

Aug 11, 2010 / Books & the Arts / Samuel Moyn

A Cinema of Refusal: On Pedro Costa

A Cinema of Refusal: On Pedro Costa A Cinema of Refusal: On Pedro Costa

In his Letters from Fontainhas trilogy, Pedro Costa treats the balance of form and content as a moral imperative.

Aug 11, 2010 / Books & the Arts / Akiva Gottlieb

Shelf Life

Shelf Life Shelf Life

Art School (Propositions for the 21st Century); Ch-ch-ch-changes: Artists Talk about Teaching; Curating and the Educational Turn

Aug 11, 2010 / Books & the Arts / Barry Schwabsky

Pursuit of Happiness

Pursuit of Happiness Pursuit of Happiness

Christopher Nolan's Inception; Todd Solondz's Life During Wartime; Samuel Maoz's Lebanon

Aug 11, 2010 / Books & the Arts / Stuart Klawans

After Sappho (The Volcano) After Sappho (The Volcano)

The clouds mock me with their mimicry of continental land-masses. Chimerae.   An atmospheric shield of tiny silicates separates the mother from her sons, roses from wholesalers.

Aug 11, 2010 / Books & the Arts / Ange Mlinko

Tony Judt: 1948–2010

Tony Judt: 1948–2010 Tony Judt: 1948–2010

The Nation mourns the passing of Tony Judt, a historian and intellectual whose acumen, courage and range are renowned, profound and an inspiration. 

Aug 8, 2010 / Books & the Arts / Eyal Press

Change Comes to Nixonland

Change Comes to Nixonland Change Comes to Nixonland

Will the Nixon Library actually portray Watergate accurately?

Jul 29, 2010 / Books & the Arts / Jon Wiener

Changing Places

Changing Places Changing Places

The double book-keeping of Christopher Hitchens.

Jul 28, 2010 / Books & the Arts / D.D. Guttenplan

Breaking News Breaking News

Amid a conflicting report a nuthatch fetches a black fly, dips its plume in stagnant pool. This is a sky drawn, grafted, rescued, not a bath of vapors an afternoon shutters with counterfeit meaning. It is just an incident within a field of possibility, something periodic and bruised, one location in which we grip that instant of contact. Upstream a scarecrow is ragged in the wounding, a music of terror barely rises above the slopes, reft with nothing but its melody's radius, the slow ancient call of the bird in the distant flicker.

Jul 28, 2010 / Books & the Arts / Matthew Gagnon

A Wedge Against Tyranny A Wedge Against Tyranny

Franklin Roosevelt v. the Supreme Court.

Jul 28, 2010 / Books & the Arts / Michael O’Donnell

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