What Are They Reading? What Are They Reading?
"People try to be so fussy and particular when they look at politics," observes Zillah, a character in Tony Kushner's 1987 play, A Bright Room Called Day, "but what I think an un...
Dec 22, 2003 / Books & the Arts / William Johnson
Rebel Without a Cause Rebel Without a Cause
By the time that Jeanne Moreau cut the cake for his twenty-fifth birthday on the set of Elevator to the Gallows, Louis Malle had already been joint winner of an Oscar for his wor...
Dec 18, 2003 / Books & the Arts / Richard Vinen
Skeletons in the Closet Skeletons in the Closet
Editor's Note: Due to an unfortunate glitch in production, two lines are missing from the printed version of Daniel Lazare's essay. They have been restored in this version.
Dec 18, 2003 / Books & the Arts / Daniel Lazare
Running on Empty Running on Empty
If ever there was an event that called for reflection on what was left of the New Left, it was the 1981 Brink's robbery.
Dec 18, 2003 / Books & the Arts / Carol Brightman
Go East, Young Man! Go East, Young Man!
In one of his sunnier moods, Jean-Luc Godard might have tacked onto The Last Samurai the subtitle une étrange aventure de Tom Cruise.
Dec 11, 2003 / Books & the Arts / Stuart Klawans
Soul Keeping Company Soul Keeping Company
The hours between washing and the well Of burial are the soul's most troubled time.
Dec 11, 2003 / Books & the Arts / Lucie Brock-Broido
Scully’s Way Scully’s Way
Generations of Yale students share stories about special moments in Vincent Scully's courses on art and architecture.
Dec 11, 2003 / Books & the Arts / Thomas Bender
Weapons of the Weak Weapons of the Weak
African-American history, broadly defined, continues to be the most innovative and exciting field in American historical studies.
Dec 11, 2003 / Books & the Arts / George M. Fredrickson
The Abstract Impressionist The Abstract Impressionist
I have always marveled at the way in which Abstract Expressionism was able to transform a disparate group of painters, none of whom had shown any particular promise of artistic g...
Dec 11, 2003 / Books & the Arts / Arthur C. Danto
Occupational Hazards Occupational Hazards
One of the greatest paradoxes of the modern era is the relationship between science and rationalism.
Dec 4, 2003 / Books & the Arts / Omer Bartov