Comic Relief, NEA-Style Comic Relief, NEA-Style
The world is a bleak canvas, all black and white, with only some grays "so that the black and the white [don't] bump into each other so hard." The gods are quarrelsome and bored...
Apr 1, 1999 / Books & the Arts / JoAnn Wypijewski
The Jazz Singer The Jazz Singer
Most Americans don't like instrumental music.
Apr 1, 1999 / Books & the Arts / Gene Santoro
All the President’s Man? All the President’s Man?
When Dick Morris announced that he would write a book to divert attention from his adventure with the toes of a call girl, George Stephanopoulos, the President's senior policy a...
Apr 1, 1999 / Books & the Arts / Stanley I. Kutler
Holocaust Denial: A Sequel Holocaust Denial: A Sequel
The Case of Binjamin Wilkomirski's Fragments Until the past few months, bestowing any Holocaust honorific upon Binjamin Wilkomirski, the author of the
Apr 1, 1999 / Books & the Arts / Harvey Peskin
Buddha Leaves Suburbia Buddha Leaves Suburbia
If you adored Catherine Texier's Breakup last year, fell to the floor gushing sympathetic tears for the abandoned raconteur and raised your fists with indignant empathy over the...
Apr 1, 1999 / Books & the Arts / Minna Proctor
On Movies, Money & Politics On Movies, Money & Politics
The Nation asked six politically active members of the entertainment community to comment on recent developments in the realms of politics and popular culture.
Mar 18, 1999 / Books & the Arts / Peter Biskind
Part of Our Time, Too Part of Our Time, Too
Given the late Dalton Trumbo's various claims to verbal fame--highest-paid screenwriter of his day, most vocal member of the Hollywood Ten, polemicist extraordinaire, winner und...
Mar 18, 1999 / Books & the Arts / Dalton Trumbo and Murray Kempton
When Worlds Collide When Worlds Collide
When those in my modest circle of acquaintances learned that I was editing a Hollywood issue of The Nation, they found it either risible or irritating.
Mar 18, 1999 / Books & the Arts / Peter Biskind
Carried Away Carried Away
My friend Dennis Paoli says there are two kinds of horror movies, and since his screenwriting credits include Re-Animator, I treat his categories with respect.
Mar 18, 1999 / Books & the Arts / Stuart Klawans