Articles

Time to End Recidivism Time to End Recidivism

What about the 178 women who will be released from US prisons every day of the year?

Mar 4, 2005 / Richard M. Aborn

Chips Fall in Vegas Chips Fall in Vegas

"We have to change the AFL-CIO,"

Mar 3, 2005 / Feature / David Moberg

What Are They Reading? What Are They Reading?

LOVECRAFT: Tales

Mar 3, 2005 / Books & the Arts / Justin Taylor

Sweet Victories Sweet Victories

Since starting Editor's Cut in April 2003, I've often written about how it can be difficult, in these times, to maintain a sense of hope--as corruption, war, lies and injustices l...

Mar 3, 2005 / Katrina vanden Heuvel

It’s My Party and I’ll Whine if I Want To It’s My Party and I’ll Whine if I Want To

The Frank budget has not been embraced by the Democratic leadership--and is unlikely to be so welcomed. The Democratic Party still hasn't caught on; it remains a body at war with...

Mar 3, 2005 / Column / David Corn

Moderates’ Day? Moderates’ Day?

See also a pertinent excerpt from David Corn's "Beltway Bandits" column of that year's December 25 issue.

Mar 3, 2005 / The Editors

Antiwar Events Coast to Coast Antiwar Events Coast to Coast

Yesterday we featured the peace concert being planned by Nation reader and bassist Brandon Kwiatek in Allentown, Pennsylvania on March 19, which will conclude a series of antiwar ...

Mar 3, 2005 / Peter Rothberg

Rock the Casbah Rock the Casbah

What might it mean to call a film indispensable? Perhaps not much. At base level, we'd merely be asserting that other films (maybe the vast majority) are candidates for the garba...

Mar 3, 2005 / Books & the Arts / Stuart Klawans

American Graffiti American Graffiti

In the works that made him famous, Jasper Johns realized an ancient dream by painting things that overcame the distinction between reality and representation--numerals, for examp...

Mar 3, 2005 / Books & the Arts / Arthur C. Danto

The Man Who Wasn’t There The Man Who Wasn’t There

Christopher Marlowe's life was short, sharp and irresistible.

Mar 3, 2005 / Books & the Arts / Daniel Swift

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