The Democratic Beauty Contest The Democratic Beauty Contest
As was evident during the most recent episode of the Democratic Party's Star Search--a meeting in Washington of the Democratic National Committee, where mos...
Feb 25, 2003 / David Corn
Rebel Music Rebel Music
Every movement needs its culture, and the still-emerging antiwar movement is proving clever and creative on this front. Dissident artwork, literature, street theatre, poetry, pai...
Feb 22, 2003 / Peter Rothberg
What’s a Neoliberal to Do? What’s a Neoliberal to Do?
In the 1960s it seemed as if the Third World was in flames, fueled by anti-imperialist struggles from Cuba to Vietnam, Bolivia to Algeria.
Feb 20, 2003 / Books & the Arts / Greg Grandin
Why International Law Matters Why International Law Matters
Pre-emptive war flagrantly contradicts the UN's legal framework.
Feb 20, 2003 / Feature / Richard Falk
A Report From Porto Alegre A Report From Porto Alegre
Optimism and antiwar fervor were both in evidence at the World Social Forum.
Feb 20, 2003 / Feature / Marc Cooper
Confronting Empire Confronting Empire
So how do we resist "Empire"? The good news is that we're not doing too badly. There have been major victories. Here in Latin America you have had so many--in Bolivia, you have...
Feb 20, 2003 / Books & the Arts / Arundhati Roy
Lula’s Moment Lula’s Moment
Brazil's revolution of the possible.
Feb 20, 2003 / Feature / Marc Cooper and Tim Frasca
Bad News, Film at 11 Bad News, Film at 11
Like almost everything these days, local TV news is awful and getting worse.
Feb 20, 2003 / Column / Eric Alterman
Not Too Late? Not Too Late?
The February 15 demonstration in New York was huge, exciting, exhilarating--despite the weather (brrrr) and the heavy hand of the NYPD (see below).
Feb 20, 2003 / Column / Katha Pollitt
Corporate Bill for Slavery Corporate Bill for Slavery
On February 26 for the first time a judge will make substantive and procedural rulings on a probable eight lawsuits that are at the cutting edge of the movement to compensate A...
Feb 20, 2003 / John S. Friedman