On this episode of The Time of Monsters, Tarpley Hitt on the mixed messages of Greta Gerwig’s blockbuster.
Barbie sets a box office record as the movie hits theaters in the US.(Selcuk Acar / Anadolu Agency via Getty Images)
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
Barbie has smashed through the glass ceiling. Greta Gerwig’s new movie based on the popular Mattel doll is the big summer film of 2023. It’s made more than $1 billion –the first time that box office benchmark has been reached by a film directed by a woman. This popular success is all the more notable because the movie deals explicitly with feminist critiques of patriarchy.
Barbie has generated an enormous public debate, but not everybody wholeheartedly loves the movie. I think the best piece of writing on the film was written by Tarpley Hitt for The Nation. Hitt, a writer and editor for The Drift who is working on a book about the Barbie doll, described the movie’s feminism as “muddled.” I sat down and talked to Tarpley for an enlightening discussion about this year's buzziest blockbuster.
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Barbie has smashed through the glass ceiling. Greta Gerwig’s new movie based on the popular Mattel doll is the big summer film of 2023. It’s made more than $1 billion—the first time that box office benchmark has been reached by a film directed by a woman. This popular success is all the more notable because the movie deals explicitly with feminist critiques of patriarchy.
Barbie has generated an enormous public debate, but not everybody wholeheartedly loves the movie. I think the best piece of writing on the film was written by Tarpley Hitt for The Nation. Hitt, a writer and editor for The Drift who is working on a book about the Barbie doll, described the movie’s feminism as “muddled.” I sat down with Tarpley for an enlightening discussion about this year’s buzziest blockbuster.
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
Matthew Yglesias, a very influential journalist and proprietor of the Slow Boring substack, has emerged as a divisive figure within the Democratic party. To admirers, he’s a compelling advocate of popularism, the view the Democratic party needing to moderate its message to win over undecided voters. To critics, he’s a glib attention seeker who has achieved prominence by coming up with clever ways to justify the status quo.
For this episode of the podcast, I talked to David Klion, frequent guest of the show and Nation contributor, about Yglesias, the centrist view of the 2024 election, the role of progressives and leftists in the Democratic party coalition, and the class formation of technocratic pundits, among other connected matters.
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Jeet HeerTwitterJeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.