On this episode of The Time of Monsters, Tarpley Hitt on the mixed messages of Greta Gerwig’s blockbuster.
Barbie sets a box office record as the movie hits theaters in the US.(Selcuk Acar / Anadolu Agency via Getty Images)
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
Barbie has smashed through the glass ceiling. Greta Gerwig’s new movie based on the popular Mattel doll is the big summer film of 2023. It’s made more than $1 billion –the first time that box office benchmark has been reached by a film directed by a woman. This popular success is all the more notable because the movie deals explicitly with feminist critiques of patriarchy.
Barbie has generated an enormous public debate, but not everybody wholeheartedly loves the movie. I think the best piece of writing on the film was written by Tarpley Hitt for The Nation. Hitt, a writer and editor for The Drift who is working on a book about the Barbie doll, described the movie’s feminism as “muddled.” I sat down and talked to Tarpley for an enlightening discussion about this year's buzziest blockbuster.
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Barbie has smashed through the glass ceiling. Greta Gerwig’s new movie based on the popular Mattel doll is the big summer film of 2023. It’s made more than $1 billion—the first time that box office benchmark has been reached by a film directed by a woman. This popular success is all the more notable because the movie deals explicitly with feminist critiques of patriarchy.
Barbie has generated an enormous public debate, but not everybody wholeheartedly loves the movie. I think the best piece of writing on the film was written by Tarpley Hitt for The Nation. Hitt, a writer and editor for The Drift who is working on a book about the Barbie doll, described the movie’s feminism as “muddled.” I sat down with Tarpley for an enlightening discussion about this year’s buzziest blockbuster.
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
Running for president last year, Donald Trump disowned Project 2025, the laundry list of radical demands gathered together by right-wing think tanks. Trump claimed Project 2025 had no influence on him and was only being raised by Democrats as a political attack. But now Trump is in power, he’s enacting an agenda of dismantling the welfare state that is following Project 2025 in close detail, as my Nation colleague Chris Lehmann documented in a recent column.
Chris and Jeet Heer talk about Trump’s mobilization of Christian nationalist ideologues in the service of a making the state subservient to big business. We also take up the remarkable supine Democratic Party response, and also possible sources of resistance in the courts, the federal government and, most crucially, from outraged public opinion mobilized into protest.
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Jeet HeerTwitterJeet Heer is a national affairs correspondent for The Nation and host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column “Morbid Symptoms.” The author of In Love with Art: Francoise Mouly’s Adventures in Comics with Art Spiegelman (2013) and Sweet Lechery: Reviews, Essays and Profiles (2014), Heer has written for numerous publications, including The New Yorker, The Paris Review, Virginia Quarterly Review, The American Prospect, The Guardian, The New Republic, and The Boston Globe.