Plainspoken: On Mark Morris Plainspoken: On Mark Morris
How a choreographer’s love for the basic truths of the body has remained uncompromising.
Dec 4, 2013 / Books & the Arts / Marina Harss
Helios Helios
Strong horses, Percherons, bred for imperturbability and speed: Aethon, Eous, Pyrois, Phlegon, what names to call a conflagration by. Two decades with the force, and you’d little use for people, but horses, that was a different matter: strong horses, swift as shadows lengthening across the tile bed, a father could not hold them, how could a god.
Dec 4, 2013 / Books & the Arts / Amanda Jernigan
Old Boys Old Boys
David O. Russell’s American Hustle; Spike Lee’s Oldboy
Dec 4, 2013 / Books & the Arts / Stuart Klawans
Without Respite Without Respite
Seeing not a person but a thing was the crime of crimes for Primo Levi.
Nov 25, 2013 / Books & the Arts / Vivian Gornick
Debtpop Debtpop
Thinking about debt has become pop, and David Graeber’s Debt is the genre’s “Stairway to Heaven.”
Nov 25, 2013 / Books & the Arts / Joshua Clover
Monumental, Imperial Monumental, Imperial
The beauty and muchness of Ai Weiwei’s art is often underwhelming.
Nov 25, 2013 / Books & the Arts / Barry Schwabsky
Other Roles Other Roles
Auntie man? Black writer? Negress? In The Women, Hilton Als is Hilton Als.
Nov 25, 2013 / Books & the Arts / Aaron Thier
Hannah and Her Admirers Hannah and Her Admirers
Margarethe von Trotta’s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.
Nov 19, 2013 / Books & the Arts / David Rieff
The Museum of the Revolution The Museum of the Revolution
The life and work of Victor Serge represents the Russian democratic revolution that never was.
Nov 19, 2013 / Books & the Arts / Sophie Pinkham
Power Down Power Down
The humanitarian impulse has not vanished from US foreign policy. It has simply split into two camps.
Nov 19, 2013 / Books & the Arts / Thomas Meaney