
Salaam Cinema: On Mohsen Makhmalbaf Salaam Cinema: On Mohsen Makhmalbaf
An Iranian director’s ongoing meditations on the nature of illusion and reality, truth and consequences.
Sep 17, 2013 / Books & the Arts / Adina Hoffman

The Long Goodbye: On Steven Soderbergh The Long Goodbye: On Steven Soderbergh
Hollywood’s wonkiest director hasn’t stopped working. He’s finding new problems to solve—and toying with us again.
Sep 10, 2013 / Books & the Arts / Akiva Gottlieb
Shelf Life Shelf Life
Robert Neer’s Napalm: An American Biography; Juliette Volcler’s Extremely Loud: Sound as a Weapon
Sep 10, 2013 / Books & the Arts / Peter C. Baker

Great Perturbations: On George Packer Great Perturbations: On George Packer
The Unwinding is a fine-grained account of economic collapse that runs aground on causeless abstractions.
Sep 10, 2013 / Books & the Arts / Chris Lehmann

Walter Mosley’s Alien Script Walter Mosley’s Alien Script
The author opens up about his latest art exhibition, magic, failure and unexpected success.
Sep 6, 2013 / Books & the Arts / Fatima Bhojani

Jester and Priest: On Leszek Kolakowski Jester and Priest: On Leszek Kolakowski
How the great Polish philosopher went from being an anticlerical scourge to an apostle of John Paul II.
Sep 4, 2013 / Books & the Arts / John Connelly

More of Less More of Less
Thomas Hirschhorn’s unmonumental monument to egalitarianism and Antonio Gramsci.
Sep 4, 2013 / Books & the Arts / Barry Schwabsky

Summer’s Fall: White House Down Summer’s Fall: White House Down
The happy ending to Hollywood’s summer: not guy gets girl but guy gets job.
Sep 4, 2013 / Books & the Arts / Joshua Clover

The Colonist of Good Will: On Albert Camus The Colonist of Good Will: On Albert Camus
Algerian Chronicles shows that Camus still has something to say to us—not about terrorism but economic justice.
Aug 27, 2013 / Books & the Arts / Thomas Meaney

Drawing the Line: Architects and Prisons Drawing the Line: Architects and Prisons
A call for architects to refuse to design chambers of living death.
Aug 27, 2013 / Books & the Arts / Michael Sorkin