Arts and Entertainment

In Defense Of ‘The Help’

In Defense Of ‘The Help’ In Defense Of ‘The Help’

Though complicated by controversy, a weekend in Los Angeles with thirty domestic workers underscores the power of Hollywood to propel social change. 

Feb 27, 2012 / Books & the Arts / Ilyse Hogue

The Complete History of Every One: On Zoe Strauss

The Complete History of Every One: On Zoe Strauss The Complete History of Every One: On Zoe Strauss

Zoe Strauss has turned the streets of Philadelphia into a museum for her photography.

Feb 7, 2012 / Books & the Arts / Barry Schwabsky

Lucas’s Tuskegee Experiment

Lucas’s Tuskegee Experiment Lucas’s Tuskegee Experiment

George Lucas’s Red Tails, Agnieszka Holland’s In Darkness.

Jan 31, 2012 / Books & the Arts / Stuart Klawans

Shelf Life

Shelf Life Shelf Life

The Complete Jean Vigo, Travis Wilkerson’s An Injury to One.

Jan 25, 2012 / Books & the Arts / Akiva Gottlieb

The Wicked Art of Caricature

The Wicked Art of Caricature The Wicked Art of Caricature

Five centuries of political pans by a lot of old masters and a few new ones, on exhibit at the Met.

Jan 18, 2012 / Books & the Arts / Edward Sorel

The Devil, Probably: On Maurizio Cattelan

The Devil, Probably: On Maurizio Cattelan The Devil, Probably: On Maurizio Cattelan

An artist known as a trickster and showman stages a disappearing act at the Guggenheim.

Jan 11, 2012 / Books & the Arts / Barry Schwabsky

‘The Iron Lady’: The Margaret Thatcher Movie We Don’t Need ‘The Iron Lady’: The Margaret Thatcher Movie We Don’t Need

In the new bio-pic, Margaret Thatcher's iron isn’t just rusty, it’s melted down into something soft and personal. The Iron Lady gives us Thatcher, the ABBA Version...

Jan 4, 2012 / Books & the Arts / Laura Flanders

Last Year’s Model: On Simon Reynolds

Last Year’s Model: On Simon Reynolds Last Year’s Model: On Simon Reynolds

A critic of pop’s retro turn can’t shake his own strain of pop nostalgia.

Jan 4, 2012 / Books & the Arts / Sara Marcus

Extremely

Extremely Extremely

Stephen Daldry’s Extremely Loud and Incredibly Close, Wim Wenders’s Pina.

Jan 4, 2012 / Books & the Arts / Stuart Klawans

Signs of Protest: Occupy’s Guerilla Semiotics

Signs of Protest: Occupy’s Guerilla Semiotics Signs of Protest: Occupy’s Guerilla Semiotics

Does the content of a demonstration always exceed and fall short of its ostensible message?

Dec 14, 2011 / Books & the Arts / Barry Schwabsky

x