Arts and Entertainment

Love on the Run Love on the Run

She has the face of a mermaid--a real one, not a Disney blonde. The wide undulant mouth drinks in her world like oxygen; the hazel eyes reflect a bent and wavering light.

May 12, 2005 / Books & the Arts / Stuart Klawans

Supernanny State Supernanny State

TV shows that tell you how not to raise your children.

May 5, 2005 / Books & the Arts / Alfie Kohn

Compromising Positions Compromising Positions

Your movie reviewer has been reading Colin MacCabe's excellent book on Jean-Luc Godard and pondering its discussion of France after World War II.

Apr 28, 2005 / Books & the Arts / Stuart Klawans

Al Gore Gets Down Al Gore Gets Down

Al Gore's Current TV debuts today. But will his new network transform the media?

Apr 28, 2005 / Books & the Arts / Ari Berman

Pete Seeger: Ain’t No One Like Him Pete Seeger: Ain’t No One Like Him

As part of a nationwide festival of tributes to Pete Seeger in 2005, Studs Terkel offered this essay on the life and times of an American balladeer.

Apr 28, 2005 / Books & the Arts / Studs Terkel

Flyboy in the Buttermilk Flyboy in the Buttermilk

Basquiat in Brooklyn.

Apr 21, 2005 / Books & the Arts / Arthur C. Danto

The Counterfeiter The Counterfeiter

As celluloid guinea pig for the American left, I am perfectly willing to report on the effects of exposure to this month's pop hit, Sin City.

Apr 14, 2005 / Books & the Arts / Stuart Klawans

Tangled Up in Bob

Tangled Up in Bob Tangled Up in Bob

In or around 1965, human nature changed.

Apr 7, 2005 / Books & the Arts / David Yaffe

Gangs of Shanghai Gangs of Shanghai

The scene is Shanghai, or Busby Berkeley's dream of it: a Chinese city of the 1930s, teeming on the outskirts with rickety tenement compounds, bustling in its business district...

Mar 31, 2005 / Books & the Arts / Stuart Klawans

Quartet for the End of Time Quartet for the End of Time

When David Spencer Ware was a baby, his mother pronounced a blessing over him. Go See the World became the title of the saxophonist's first major-label record, for Columbia.

Mar 24, 2005 / Books & the Arts / Brian Morton

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