The Right-Wing Supreme Court’s Next Targets The Right-Wing Supreme Court’s Next Targets
The people who tore down Roe are just getting started.
Jun 27, 2022 / Jeet Heer
Fernanda Melchor’s Dark Morality Plays Fernanda Melchor’s Dark Morality Plays
In her third novel, Melchor turns her allegorical powers in an even more explicitly political direction.
Jun 27, 2022 / Books & the Arts / Nicolás Medina Mora
How Gayness Changed During My Lifetime How Gayness Changed During My Lifetime
When I came out, I steeled myself to join a minority—only to find that my identity had become a marketing niche.
Jun 27, 2022 / Feature / Benjamin Moser
A Staggering Story of Palestinian Exile A Staggering Story of Palestinian Exile
Mona Mansour’s The Vagrant Trilogy is the Public Theater’s first full-length, main-stage production to address the aftermath of the Nakba.
Jun 23, 2022 / Books & the Arts / Alisa Solomon
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N In America, the land is a ghost of the land In America, the land is the land of the ghost In America, the land of the ghost in the land In America, the land is…
Jun 23, 2022 / Books & the Arts / Vanessa Angélica Villarreal
Hate Is Not Welcome Here Hate Is Not Welcome Here
Street mural in Oaxaca, Mexico.
Jun 22, 2022 / OppArt / Efdot and Peter Kuper
What Do We Do About the Davos Class? What Do We Do About the Davos Class?
Peter S. Goodman dissects the morally bankrupt philosophy of the global financial elite in Davos Man, offering a damning picture of the wealthy's influence on world politics.
Jun 22, 2022 / Books & the Arts / Nick Serpe
The World-Making Aesthetic of Hong Sangsoo The World-Making Aesthetic of Hong Sangsoo
While he has long been seen as an apolitical filmmaker, his work is anything but. The auteur’s films engage with the dreams and contradictions of Korea like no other.
Jun 21, 2022 / Books & the Arts / Dennis Zhou
Keeping Juneteenth Radical Keeping Juneteenth Radical
Crass commercialization of a holiday is as American as a Labor Day sale, and so it is up to us to keep the true spirit of Juneteenth alive.
Jun 20, 2022 / Robert Greene II