Fiction

No Name or Too Many? On Javier Marías

No Name or Too Many? On Javier Marías No Name or Too Many? On Javier Marías

In Javier Marías's trilogy Your Face Tomorrow, the self is composed of borrowed languages and an uncertain voice.

Aug 25, 2010 / Books & the Arts / William Deresiewicz

The High Wire The High Wire

In the stories of Deborah Eisenberg, life keeps piling up, unsolved and unsolvable.

Jul 28, 2010 / Books & the Arts / Peter C. Baker

Ghosting History Ghosting History

Heidi Durrow traces a young girl's harrowing plunge into racial identity.

Jun 30, 2010 / Books & the Arts / Madison Smartt Bell

Barry Eisler vs. Tom Clancy, Vince Flynn and Brad Thor Barry Eisler vs. Tom Clancy, Vince Flynn and Brad Thor

A former covert CIA operative turned novelist is fast emerging as one of the most important fiction writers in the military/covert ops/political thriller genre dominated by right-w...

Jun 29, 2010 / Books & the Arts / Jeremy Scahill

As Big as Mount Ararat

As Big as Mount Ararat As Big as Mount Ararat

Orhan Pamuk may be the face that Turkish literature turns to the West, but the novelist Yashar Kemal is its conscience and heart.

Jun 24, 2010 / Books & the Arts / Marc Edward Hoffman

Bierced

Bierced Bierced

Ours is an age of the unexpected, the extraordinary—the uncanny. What better time to resurrect the stories of Ambrose Bierce?

Jun 24, 2010 / Books & the Arts / Victor LaValle

Anti- Anti-

In The Ask, Sam Lipsyte never ventures beyond the comfort zone of his eloquently damaged protagonist.

Jun 9, 2010 / Books & the Arts / J.M. Tyree

Intimacies and Dishonesties Intimacies and Dishonesties

In Tove Jansson's The True Deceiver, the uncertainties laid bare go to the heart of human relationships.

Jun 3, 2010 / Books & the Arts / Maria Margaronis

Eyes Wide Open Eyes Wide Open

For Herta Müller, writing is not a matter of trusting, but rather of the honesty of the deceit.

May 20, 2010 / Books & the Arts / Lorna Scott Fox

The Crack-Up The Crack-Up

The Latin American utopia has disappeared, says novelist and crackero Jorge Volpi, and he displays little nostalgia for it.

Apr 16, 2010 / Books & the Arts / Ben Ehrenreich

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