Lord High Executioners Lord High Executioners
He looks like a pear that's going bad. Tall, corpulent and much the worse for gravity, W.S.
Dec 15, 1999 / Books & the Arts / Stuart Klawans
‘Rock’ in a Hard Place ‘Rock’ in a Hard Place
Not since Charlton Heston painted the Sistine Chapel has there been so epic a film about arts patronage as Cradle Will Rock. Heston, you will recall, had to cope only with the Va...
Dec 9, 1999 / Books & the Arts / Stuart Klawans
Back to Beginnings Back to Beginnings
Cheick Oumar Sissoko, who lives and works in Mali, has looked around and noticed that his fellow filmmakers in sub-Saharan Africa are few--"and due to our financial need (great w...
Dec 2, 1999 / Books & the Arts / Stuart Klawans
Curtain Call With Terkel Curtain Call With Terkel
Charles Kuralt, who got around a lot himself but wore out faster, once remarked: "When Studs Terkel listens, everybody talks." Not so many years ago, in fact, we asked Kuralt to ...
Nov 25, 1999 / Books & the Arts / John Leonard
The Heat in the Kitchen The Heat in the Kitchen
He poses like a tightrope walker, though one who's unexpectedly domestic and chubby.
Nov 18, 1999 / Books & the Arts / Stuart Klawans
Innocents Abroad Innocents Abroad
When people label a film "great," the usual effect is to close off a discussion that ought to be opening.
Nov 11, 1999 / Books & the Arts / Stuart Klawans
Just a Cannes Job? Just a Cannes Job?
Ever since Rosetta won the top prize at this year's Cannes festival, American journalists have puzzled over the jury's decision, or written it off as mere insolence.
Nov 4, 1999 / Books & the Arts / Stuart Klawans
Night of the Living Dead Night of the Living Dead
Sooner or later, there would have to be fireworks in Bringing Out the Dead.
Oct 28, 1999 / Books & the Arts / Stuart Klawans
Rough and Tumble Rough and Tumble
Begin with a cluster of molecules in the void. The camera zooms away from them, sucking you back through some dim anatomical corridor.
Oct 21, 1999 / Books & the Arts / Stuart Klawans
Uneasy Riders Uneasy Riders
What was it like in the sixties, wonders a dewy young woman in The Limey, speaking to Peter Fonda. Who better to ask?
Oct 14, 1999 / Books & the Arts / Stuart Klawans