Film

Curtain Call With Terkel Curtain Call With Terkel

Charles Kuralt, who got around a lot himself but wore out faster, once remarked: "When Studs Terkel listens, everybody talks." Not so many years ago, in fact, we asked Kuralt to ...

Nov 25, 1999 / Books & the Arts / John Leonard

The Heat in the Kitchen The Heat in the Kitchen

He poses like a tightrope walker, though one who's unexpectedly domestic and chubby.

Nov 18, 1999 / Books & the Arts / Stuart Klawans

Innocents Abroad Innocents Abroad

When people label a film "great," the usual effect is to close off a discussion that ought to be opening.

Nov 11, 1999 / Books & the Arts / Stuart Klawans

Just a Cannes Job? Just a Cannes Job?

Ever since Rosetta won the top prize at this year's Cannes festival, American journalists have puzzled over the jury's decision, or written it off as mere insolence.

Nov 4, 1999 / Books & the Arts / Stuart Klawans

Night of the Living Dead Night of the Living Dead

Sooner or later, there would have to be fireworks in Bringing Out the Dead.

Oct 28, 1999 / Books & the Arts / Stuart Klawans

Rough and Tumble Rough and Tumble

Begin with a cluster of molecules in the void. The camera zooms away from them, sucking you back through some dim anatomical corridor.

Oct 21, 1999 / Books & the Arts / Stuart Klawans

Uneasy Riders Uneasy Riders

What was it like in the sixties, wonders a dewy young woman in The Limey, speaking to Peter Fonda. Who better to ask?

Oct 14, 1999 / Books & the Arts / Stuart Klawans

Woman Off the Verge Woman Off the Verge

To die for art: No one takes the idea seriously anymore, and yet people do it every day.

Sep 30, 1999 / Books & the Arts / Stuart Klawans

The Boys of Summer The Boys of Summer

To the list of movie characters who look back on their lives from the Beyond, add Lester Burnham, the 42-year-old, dead narrator of American Beauty. He is a murder victim--so it ...

Sep 23, 1999 / Books & the Arts / Stuart Klawans

Adults Only Adults Only

Conventional wisdom has it that Americans stopped attending foreign films as soon as the domestic ones started featuring bare breasts. Convention, as usual, is too simple.

Sep 16, 1999 / Books & the Arts / Stuart Klawans

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