Film

The Metaphysical Horror of “The Curse”

The Metaphysical Horror of “The Curse” The Metaphysical Horror of “The Curse”

From its first moments to its antic end, the series exposes its viewers to an abundance of anxious perturbation but it does something else too: It reveals the absurdity all around...

Jan 12, 2024 / Books & the Arts / Sarah Chihaya

A scene from “Confucian Confusion.”

Edward Yang’s States of Flux Edward Yang’s States of Flux

His dark comedies and family dramas of life in late-20th-century Taiwan depict a generation’s crisis, confronting the forces of finance and globalization.

Jan 11, 2024 / Books & the Arts / Vikram Murthi

New York Times columnist Andrew Ross Sorkin and Walt Disney CEO Bob Iger speak during the Times’ annual DealBook summit, on November 29, 2023 in New York City.

Do as I Say, Not as I Do Do as I Say, Not as I Do

The comforting lessons in good will and friendship Apple, Netflix, and Disney flaunt are benign distractions that deflect attention from their two-fisted business behavior.

Jan 8, 2024 / Peter Biskind

Adam Driver in “Ferrari.”

Michael Mann’s Need for Speed Michael Mann’s Need for Speed

The director’s biopic of Enzo Ferrari is a perfect encapsulation of his primary aesthetic interest: the death drive and male melancholy.

Jan 3, 2024 / Books & the Arts / James Duesterberg

Kaylee Nicole Johnson, Jannie Hampton, Jayah Henry in “All Dirt Roads Taste of Salt.”

“All Dirt Roads Taste of Salt”: A Masterpiece of American Southern Filmmaking “All Dirt Roads Taste of Salt”: A Masterpiece of American Southern Filmmaking

Raven Jackson’s remarkable debut is a poetic look into Black family life in the South.

Jan 2, 2024 / Books & the Arts / Kelli Weston

Natalie Portman as Elizabeth Berry and Julianne Moore as Gracie Atherton-Yoo in “May December.”

The Uncanny Façades of “May December” The Uncanny Façades of “May December”

Todd Haynes’s discomfiting and hypnotic suburban melodrama examines topics the director knows well: sex, taboo, and control.

Dec 27, 2023 / Books & the Arts / Beatrice Loayza

James Stewart, as George Bailey, points at Lionel Barrymore in a scene from “It's a Wonderful Life.”

Whose “It’s a Wonderful Life” Is It Anyway? Whose “It’s a Wonderful Life” Is It Anyway?

How everybody’s favorite Christmas movie about the perils of monopoly capitalism became a victim of monopoly capitalism.

Dec 25, 2023 / Ray Nowosielski and David Cassidy

The Misguided Satire of “American Fiction”

The Misguided Satire of “American Fiction” The Misguided Satire of “American Fiction”

A buzzy film adaptation of Percival Everett’s Erasure, a novel about publishing’s racial politics, misreads what is truly ailing the book industry.

Dec 22, 2023 / Books & the Arts / Stephen Kearse

Isaac Julien at the Tate Britain, 2023.

Isaac Julien’s Truth Isaac Julien’s Truth

Dealing with time, race, and utopias, his work challenges conventional notions of where film belongs and should be consumed.

Dec 18, 2023 / Books & the Arts / Barry Schwabsky

Joan Baez at the Newport Folk Festival, 1964.

Joan Baez Looks Back Joan Baez Looks Back

I Am a Noise, a career-spanning documentary, makes it clear that the folk singer was one of the most important political musicians of her generation.

Dec 14, 2023 / Books & the Arts / Sarah M. Seltzer

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