Film

Extremely

Extremely Extremely

Stephen Daldry’s Extremely Loud and Incredibly Close, Wim Wenders’s Pina.

Jan 4, 2012 / Books & the Arts / Stuart Klawans

Cranks and Cogwheels

Cranks and Cogwheels Cranks and Cogwheels

Martin Scorsese’s Hugo.

Dec 6, 2011 / Books & the Arts / Stuart Klawans

The Real J. Edgar

The Real J. Edgar The Real J. Edgar

Clint Eastwood's cinematic exploration of the FBI chief's rise to power is little more than a comforting myth.

Nov 30, 2011 / Books & the Arts / Beverly Gage

How the Movies Saved My Life How the Movies Saved My Life

Seeing the world in black and white (with subtitles).

Nov 17, 2011 / Books & the Arts / Tom Engelhardt

Shelf Life

Shelf Life Shelf Life

José Luis Guerín’s In the City of Sylvia, Tanya Hamilton’s Night Catches Us, Martin Scorsese’s New York, New York.

Nov 16, 2011 / Books & the Arts / Akiva Gottlieb

Times Squared

Times Squared Times Squared

Jem Cohen’s Newsreel No. 1, Aki Kaurismäki’s Le Havre, Andrew Niccol’s In Time

Nov 9, 2011 / Books & the Arts / Stuart Klawans

Just as They Are

Just as They Are Just as They Are

The forty-ninth edition of the New York Film Festival.

Oct 25, 2011 / Books & the Arts / Stuart Klawans

Disciplined Filth

Disciplined Filth Disciplined Filth

George Clooney’s The Ides of March, Danfung Dennis’s Hell and Back Again, Luc Côté and Patricio Henriquez’s You Don’t Like the Truth: 4 Days In...

Oct 11, 2011 / Books & the Arts / Stuart Klawans

Agents of Destruction

Agents of Destruction Agents of Destruction

Steven Soderbergh’s Contagion, Göran Hugo Olsson’s Black Power Mixtape 1967–1975, Tate Taylor’s The Help

Sep 14, 2011 / Books & the Arts / Stuart Klawans

HBO’s Gloria Steinem Doc Glosses over Race, and Fails to Assess the Second Wave’s Legacy HBO’s Gloria Steinem Doc Glosses over Race, and Fails to Assess the Second Wave’s Legacy

Gloria Steinem and Second Wave feminism deserve a far more sophisticated and critical treatment.

Aug 12, 2011 / Books & the Arts / Dana Goldstein

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