Crazy, Stupid, Republicans Crazy, Stupid, Republicans
Eric has never written for US News, and he is frustrated with T-Mobile.
Aug 12, 2011 / Books & the Arts / Eric Alterman
Break That Wall Break That Wall
Steve James and Alex Kotlowitz’s The Interrupters; Raul Ruiz’s Mysteries of Lisbon; Jon Favreu’s Cowboys and Aliens; David Yates’s Harry Potter and the Deat...
Aug 10, 2011 / Books & the Arts / Stuart Klawans
Shelf Life: New on DVD Shelf Life: New on DVD
James L. Brooks’s Broadcast News, Alan Rudolph’s Trouble in Mind, Jonathan Demme’s Something Wild.
Jun 28, 2011 / Books & the Arts / Akiva Gottlieb
Unsilenced Unsilenced
The Human Rights Watch Film Festival, Michael Winterbottom’s The Trip, Azazel Jacobs’s Terri, Eve Annenberg’s Romeo and Juliet in Yiddish.
Jun 28, 2011 / Books & the Arts / Stuart Klawans
Dance with the Devil Dance with the Devil
Terrence Malick's Tree of Life; David Balding's One Lucky Elephant; Kristen Wiig's Bridesmaids; Todd Phillips's The Hangover Part II.
Jun 1, 2011 / Books & the Arts / Stuart Klawans
Losers Take All: On the New American Cinema Losers Take All: On the New American Cinema
How B-movie directors and young mavericks rattled Hollywood's dream machine.
May 11, 2011 / Books & the Arts / Heather Hendershot
Do They Dream? Spelunking With Werner Herzog Do They Dream? Spelunking With Werner Herzog
Werner Herzog's Cave of Forgotten Dreams; Joe Wright's Hanna; Andreas Lust's The Robber; Daniel and Diego Vega's Octubre.
Apr 27, 2011 / Books & the Arts / Stuart Klawans
‘You’re So Pretty’: On Laurel Nakadate ‘You’re So Pretty’: On Laurel Nakadate
Most of what we think we see in the photos and films of Laurel Nakadate is our own projection.
Apr 6, 2011 / Books & the Arts / Barry Schwabsky
Elizabeth Taylor: What Becomes a Legend Most Elizabeth Taylor: What Becomes a Legend Most
Remembering the icon, a pro at sex and survival.
Mar 30, 2011 / Books & the Arts / JoAnn Wypijewski
Readjustments: On ‘Win Win,’ ‘The Adjustment Bureau’ and ‘My Perestroika’ Readjustments: On ‘Win Win,’ ‘The Adjustment Bureau’ and ‘My Perestroika’
Is it a good thing that film—not the audiovisual materials that exist everywhere but movies, projected in public spaces— has stopped being central to American life?
Mar 30, 2011 / Books & the Arts / Stuart Klawans