Film

Love and Theft Love and Theft

Antiquarian mishmash lathers the April screen. In Kill Bill Vol.

Apr 22, 2004 / Books & the Arts / Stuart Klawans

Chronicle of a Disappearance Chronicle of a Disappearance

A rough but accurate gauge of national resilience: When dictators fall, how soon do filmmakers rise again? In the case of Argentina, the recovery was impressively quick.

Apr 8, 2004 / Books & the Arts / Stuart Klawans

Everybody’s Talking About the Weather Everybody’s Talking About the Weather

The last few years have seen renewed interest in the Weathermen.

Mar 30, 2004 / Books & the Arts / Jeremy Varon

Speak, Memory Speak, Memory

Not wanting to curse Charlie Kaufman with too much praise, I'm tempted to say that his nonexistent twin Donald is the best American screenwriter since Preston Sturges.

Mar 25, 2004 / Books & the Arts / Stuart Klawans

Adaptation Adaptation

So Mel Gibson has been persecuted all the way to the bank.

Mar 11, 2004 / Books & the Arts / Stuart Klawans

The Protocols of Mel Gibson The Protocols of Mel Gibson

My friends had one question for me after I saw Mel Gibson's The Passion of the Christ: Is it anti-Semitic?

Mar 11, 2004 / Books & the Arts / Katha Pollitt

A Passion for Hatred That Mocks Christ’s Message A Passion for Hatred That Mocks Christ’s Message

Mel Gibson's movie is a blood libel against the Jewish people.

Mar 2, 2004 / Books & the Arts / Robert Scheer

Blind Faith Blind Faith

From the moment when Mel Gibson began promoting The Passion of the Christ--was it only ten years ago?--he has insisted that his goal was to be true to the Gospel text.

Feb 26, 2004 / Books & the Arts / Stuart Klawans

May Fools May Fools

Bernardo Bertolucci has long fed off a cinephilia he appears to despise.

Feb 12, 2004 / Books & the Arts / Stuart Klawans

McNamara: The Sequel McNamara: The Sequel

Apparently to McNamara's mortification, Errol Morris, whose film The Fog of War I discussed in my last column here, passes over his subject's thirteen-year stint running the Worl...

Feb 5, 2004 / Books & the Arts / Alexander Cockburn

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