Film

Europa, Europa Europa, Europa

Considered as a subset of the road movie, the post-Holocaust, return-to-Poland documentary has been a dismayingly static genre. Most of these films are journeys in only the physi...

Jan 28, 2004 / Books & the Arts / Stuart Klawans

Lust for Life Lust for Life

The afterlife of Italian poet, novelist, critic and filmmaker Pier Paolo Pasolini brings to mind some familiar lines from Auden's "In Memory of W.B.

Jan 22, 2004 / Books & the Arts / George Scialabba

All You Need Is a Girl and a Gun All You Need Is a Girl and a Gun

Colin MacCabe's new book is more a provocative polemic than a rounded biography, but it deserves the highest praise for being inspired by the belief that in the early 1960s Jean-...

Jan 22, 2004 / Books & the Arts / David Thomson

The Fog of Cop-Out The Fog of Cop-Out

My dear friend and late Nation colleague Andrew Kopkind liked to tell how, skiing in Aspen at the height of the Vietnam War, he came round a bend and saw another skier, Defense S...

Jan 22, 2004 / Books & the Arts / Alexander Cockburn

The Hunt for Hussein The Hunt for Hussein

About a third of the way through the long, long flashback that is Crimson Gold, someone mentions that the main character, Hussein, needs to work outdoors because of his claustrop...

Jan 15, 2004 / Books & the Arts / Stuart Klawans

The New Year The New Year

Dec 24, 2003 / Books & the Arts / R.O. Blechman

Crimes and Misdemeanors Crimes and Misdemeanors

An indispensable work of art, especially at this moment in our history, Errol Morris's new documentary declares its theme before you even step into the theater. The Fog of ...

Dec 24, 2003 / Books & the Arts / Stuart Klawans

Rebel Without a Cause Rebel Without a Cause

By the time that Jeanne Moreau cut the cake for his twenty-fifth birthday on the set of Elevator to the Gallows, Louis Malle had already been joint winner of an Oscar for his wor...

Dec 18, 2003 / Books & the Arts / Richard Vinen

Go East, Young Man! Go East, Young Man!

In one of his sunnier moods, Jean-Luc Godard might have tacked onto The Last Samurai the subtitle une étrange aventure de Tom Cruise.

Dec 11, 2003 / Books & the Arts / Stuart Klawans

Second Comings Second Comings

To the fleet of symbolic vehicles currently cruising the screen--their number includes the "Pussy Wagon" that Uma Thurman (in Kill Bill) coldly claims as her own--we may now add ...

Nov 26, 2003 / Books & the Arts / Stuart Klawans

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