Film

We’ve Gotta Have It We’ve Gotta Have It

Black filmmakers seize the moment.

Mar 27, 2002 / Books & the Arts / Gene Seymour

Time After Time Time After Time

Let's start with the Morlocks. In the new film version of The Time Machine, the subterranean carnivores are not merely apelike, as in the H.G. Wells novel. They're Planet of the A...

Mar 14, 2002 / Books & the Arts / Stuart Klawans

‘Monsoon’ Season ‘Monsoon’ Season

Why, asked my friends and my baffled wife. Why, piped my son. Even the movie critics sitting next to me wanted to know: What perversity drove me to see Hart's War and Rollerball?...

Feb 28, 2002 / Books & the Arts / Stuart Klawans

Protesting Black Hawk Down Protesting Black Hawk Down

It's one thing to have Somali groups protesting Black Hawk Down for what they say is an inaccurate and racist portrayal of Somalis.

Feb 21, 2002 / Books & the Arts / Adrian Brune

A Crowbar to the Face A Crowbar to the Face

Frederick Wiseman has spent a lifetime piecing together sounds and images captured from the daily flow.

Feb 14, 2002 / Books & the Arts / Stuart Klawans

Family Dynamics Family Dynamics

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Jan 31, 2002 / Books & the Arts / Stuart Klawans

The Hollywood Three The Hollywood Three

When The Majestic was about to be released--it's the movie, you will recall, in which Jim Carrey plays a blacklisted screenwriter who suffers from amnesia--someone asked me to to...

Jan 17, 2002 / Books & the Arts / Stuart Klawans

In This Corner… In This Corner…

Scattered chunks of films littered the theaters this holiday season. Except for The Royal Tenenbaums, which I've told you about, there wasn't a whole movie to be found. Or, to sp...

Jan 3, 2002 / Books & the Arts / Stuart Klawans

Home for the Holidays Home for the Holidays

Director Wes Anderson's 'The Royal Tenenbaums' is full of bittersweet whimsy.

Dec 20, 2001 / Books & the Arts / Stuart Klawans

Lights! Cameras! Attack! Hollywood Enlists Lights! Cameras! Attack! Hollywood Enlists

The Taliban may have met its match: the American Dream Machine.

Nov 21, 2001 / Books & the Arts / Marc Cooper

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