Fine Art

The Ubiquitous Medium

The Ubiquitous Medium The Ubiquitous Medium

Carissa Rodriguez’s work leads viewers to scrutinize our choices and values as they relate to video—to recording and being recorded.

Mar 30, 2018 / Larissa Pham

Joyce J. Scott’s Coexisting Forces

Joyce J. Scott’s Coexisting Forces Joyce J. Scott’s Coexisting Forces

Scott’s art is unabashedly political, broaching subjects like guns, racism, and misogyny. It’s also gorgeous, rich with tactile materials, color, and an attention to light.

Mar 26, 2018 / Books & the Arts / Jillian Steinhauer

John Ashbery’s Day Job

John Ashbery’s Day Job John Ashbery’s Day Job

The poet as art critic.

Mar 14, 2018 / Books & the Arts / Barry Schwabsky

Encountering Ghosts in Family Photos, Historical Dolls, and ‘Black Panther’ Encountering Ghosts in Family Photos, Historical Dolls, and ‘Black Panther’

Mythmaking can connect the past to the present, and reveal a promised future.

Mar 9, 2018 / Column / Patricia J. Williams

Daniel Joseph Martinez’s Blunt Statements

Daniel Joseph Martinez’s Blunt Statements Daniel Joseph Martinez’s Blunt Statements

What does it mean for an American artist to make photographs using the image of the German revolutionary Ulrike Meinhof?

Feb 23, 2018 / Books & the Arts / Barry Schwabsky

Obama Presidential Portrait

The First Black Presidential Couple in the National Portrait Gallery—and the First Black Presidential Portrait Artists The First Black Presidential Couple in the National Portrait Gallery—and the First Black Presidential Portrait Artists

Rujeko Hockley, an assistant curator at the Whitney, reflects on the importance of the works by Kehinde Wiley and Amy Sherald.

Feb 13, 2018 / Collier Meyerson

Margins and the Mainstream at the New Museum’s ‘Trigger’

Margins and the Mainstream at the New Museum’s ‘Trigger’ Margins and the Mainstream at the New Museum’s ‘Trigger’

As something that confutes the distinction between fact and fiction, gender is fundamentally congruent with art and aesthetics.

Jan 26, 2018 / Books & the Arts / Barry Schwabsky

Between What Is and What Could Be

Between What Is and What Could Be Between What Is and What Could Be

A bold exhibit delivers the message that there can be much power in the decision, and autonomy in the will, to be an abstract artist in America.

Jan 8, 2018 / Erica Rawles

Before Romare Bearden’s Collages

Before Romare Bearden’s Collages Before Romare Bearden’s Collages

The painter’s little-known abstract period was not an end, but a method of discovery.

Dec 21, 2017 / Books & the Arts / Barry Schwabsky

Gitmo

What We Can Learn From Art Painted Inside Guantánamo What We Can Learn From Art Painted Inside Guantánamo

A New York exhibition gives a rare glimpse into America’s most controversial prison.

Dec 4, 2017 / Erin L. Thompson

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