Literary Criticism

A Recognizable Dystopia

A Recognizable Dystopia A Recognizable Dystopia

Leni Zumas’s Red Clocks suggests a different method for fashioning a dystopian novel.

Mar 23, 2018 / Mike Mariani

Natural-Born Bards

Natural-Born Bards Natural-Born Bards

A new volume collects African-American folk tales that foreshadow contemporary debates about cultural ownership and appropriation.

Feb 23, 2018 / Aaron Robertson

Claribel Alegria

The Extraordinary Stories of Claribel Alegría The Extraordinary Stories of Claribel Alegría

The spirit of their romance lies in the fact that they are true.

Feb 5, 2018 / Chuck Wachtel

A Bell With a Distant Ring

A Bell With a Distant Ring A Bell With a Distant Ring

There is much to learn from Yasunari Kawabata’s final novel, even as—especially as—it gives rise to more questions than answers.

Jan 29, 2018 / Larissa Pham

Between the News and a Prayer

Between the News and a Prayer Between the News and a Prayer

Danez Smith’s poetry bends language to hope for the possibility of a better world.

Nov 15, 2017 / David B. Hobbs

What Was It Like to Be Ernest Hemingway?

What Was It Like to Be Ernest Hemingway? What Was It Like to Be Ernest Hemingway?

The world of the Hemingways rattled with frequent gunfire.

Oct 26, 2017 / Books & the Arts / John Banville

Carmen Maria Machado’s Earnest Vision

Carmen Maria Machado’s Earnest Vision Carmen Maria Machado’s Earnest Vision

Her new fiction collection reminds us that a new, more inclusive world is possible.

Oct 6, 2017 / Larissa Pham

The Poetics of Jazz

The Poetics of Jazz The Poetics of Jazz

A new book presents an alternative aesthetic history of jazz—and is also a challenge to all music critics.

Jul 20, 2017 / David B. Hobbs

Percival Everett’s Abstract Art

Percival Everett’s Abstract Art Percival Everett’s Abstract Art

His new novel, So Much Blue, is a meditation on seeing and abstraction, and it might be key for recognizing a new form of literary social critique.

Jun 26, 2017 / Paul Devlin

Mary Gaitskill Remains Open to Opposition

Mary Gaitskill Remains Open to Opposition Mary Gaitskill Remains Open to Opposition

The closest thing we get to a precept in Somebody with a Little Hammer is that we should all try to learn to think for ourselves—and, even then, things can go wrong.

Jun 19, 2017 / Larissa Pham

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