Media

What’s Wrong With This Picture? What’s Wrong With This Picture?

The rise of the media cartel has been a long time coming. The cultural effects are not new in kind, but the problem has become considerably larger.

Dec 20, 2001 / Feature / Mark Crispin Miller

Posting Ideas Posting Ideas

To keep the press free, Ben Franklin made sure that periodicals once got preferential treatment from the USPS. It's time to revisit that idea again.

Dec 20, 2001 / Feature / Victor Navasky

Take This Media…Please! Take This Media…Please!

Cultural critics and producers sound off on Big Media.

Dec 20, 2001 / Feature / Various Contributors

Idiocy Watch: The New Republic Idiocy Watch: The New Republic

The New Republic strains credibility with its 'Idiocy Watch'—it might want to keep itself in its sights.

Dec 20, 2001 / Column / Eric Alterman

Something Old, Something New Something Old, Something New

Media policy need to change in the digital ageā€”but how?

Dec 20, 2001 / Feature / Jeffrey Chester and Gary O. Larson

You Mean, We Won Something? You Mean, We Won Something?

With developments in the Mumia Abu-Jamal case and Pacifica's re-emergence, the left has a couple of victories under its belt; the Enron scandal develops further.

Dec 20, 2001 / Column / Alexander Cockburn

A Teflon Correspondent A Teflon Correspondent

John Stossel has high Q-ratings, so he doesn't have to worry about the rules.

Dec 20, 2001 / Feature / Mark Dowie

Big Media, Bad News Big Media, Bad News

Media consolidation is creeping in slowly while the public’s attention is elsewhere—is it too late to fight back?

Dec 20, 2001 / The Editors

Stossel’s Heroes Stossel’s Heroes

John Stossel has a conservative stable of pundits when it come to his questionable reporting of evironmental issues.

Dec 20, 2001 / Feature / Mark Dowie

The Right in the Classroom The Right in the Classroom

Right-wing climate-change deniers worked hand-in-glove with John Stossel to portray schoolchild as being 'scared green' on a recent ABC special.

Dec 20, 2001 / Feature / Marianne Manilov

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