War and Peace

Bioterrorism Hits Home Bioterrorism Hits Home

The high moral tone in Washington and London about "rogue" states, such as Iraq, building arsenals of biological weapons belies a shameful past.

Apr 15, 1999 / Books & the Arts / Peter Pringle

Solzhenitsyn’s History Lesson Solzhenitsyn’s History Lesson

Knowledge of Khrushchev's reaction cited above is personal; he was the author's grandfather.

Apr 15, 1999 / Books & the Arts / Nina Khrushcheva

France on Trial France on Trial

Better late than never?

Feb 25, 1999 / Daniel Singer

Holocaust Accounting Holocaust Accounting

The saga of the gold looted by the Nazis and concealed or converted by greedy neutrals is very far from finished.

Feb 25, 1999 / Daniel Singer

Block ‘Mobile Chernobyl’ Block ‘Mobile Chernobyl’

If the nuclear industry gets its way, thousands of tons of deadly radioactive waste will roll onto public roads and rail lines, bound for a geologically unstable storage site ...

Jan 21, 1999 / Karen Charman

The Bombing of Iraq The Bombing of Iraq

Regardless of its domestic implications, Operation Desert Fox is a spectacular but dangerous gesture, a smokescreen to cover for the lack of a comprehensible or workable policy tow...

Dec 17, 1998 / The Editors

Close, But No Cigar Close, But No Cigar

On August 20 last, President Clinton personally ordered the leveling of the Al-Shifa pharmaceutical plant on the outskirts of Khartoum.

Oct 5, 1998 / Column / Christopher Hitchens

The Gift of Time The Gift of Time

The case for abolition of nuclear weapons.

Feb 2, 1998 / Jonathan Schell

Very Civil Disobedience Very Civil Disobedience

Whatever the ultimate effect last week's mammoth disarmament rally in New York City will have on the prospects for world peace, it did much to rehabilitate the idea of peaceful p...

Jan 2, 1998 / The Editors

A Deserter From Death A Deserter From Death

One of the first signs of old age, I'm told, is when a young woman offers you her seat on a bus (and the next stage, presumably, is when you accept it).

Jan 2, 1998 / Feature / Daniel Singer

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